![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() Will Heagy, Joy Boys sound effects manMike Berry tells us about his co-worker: Will started out as an engineer at WLBR in Lebanon, Pennsylvania. Ironic... I grew up in York, Pa. and sometimes listened to that station. After Will moved to Washington, he worked at WWDC. At that time WWDC was a union station. When WWDC went combo, Will and many of the other engineers came to NBC. (In radio stations where the engineers were unionized, the announcers were forbidden to operate the controls, and each radio show had to have one or more engineers. In "combo" stations, the announcer does it all.) Will Heagy came to WRC from WWDC in 1970. Like all the WRC engineers he was assigned to different tasks throughout the day, but for several hours every night he worked magic as the Joy Boys sound effects man.
That PTUI! sound was often played during the Old Stein restaurant commercials, but Will enjoyed using it as an "editorial comment" whenever he felt it appropriate.
Skip McCloskey tells us
Will was the only engineer at NBC to
wear a tie every single day.
I used to tease him about it and told him I was going to buy him a tie
that he wouldn't wear.
Actually it was a good looking tie (blue in color) and unless
you looked at it closely the pattern just sort of blended together into
a nice moire'.
I remember he got a compliment on it from Newstalk 98's night-time
psychic, Sally Reigler. "Oh Will, that's a nice tie! Let me see
it up close...... oh my!"
Of course... if she were a real psychic she would have
known what the tie had on it! More than once, when Willard or Ed promoted the Betty Groebli show, Will interrupted with
According to Mike, The equipment on the studio 1 sound effects "truck" was: a pair of 70D turntables, an RT-7 cart machine, an OP-6 remote amp, and an NBC-built switch panel. Mike and Will worked together, adding sound effects and music to make the shows even wilder. I had my own carts and threw in a lot of stuff. Also, we played a lot of stuff directly from the turntables. The turntables all had faders mounted on them at a location that made it easy to hold the record and then release it and whip open the fader simultaneously. It sounds harder than it really was. I had three turntables, so I often had some wild track ready to go that I would drop in when appropriate. Will Heagy remained at WRC through the end of the Joy Boys show, then engineered Willard Scott's Top 40 show for some time. Click here or on the picture above for a larger photo of Will Heagy. Thanks to Mike and Skip at The Great 98 for their recollections, and for these pictures of Will Heagy.
Home | History | Audio | Pictures | Tales | Links | Contact Us |